A client commissioned me to make a sculpture of her feisty bantam cockerel. He was a bit of a character apparently and I hope that I have captured something of his attitude in this piece. A circular saw blade is used for the comb and auger bits, heated in my pot bellied stove then bent, add to the tail feathers alongside callipers and a builder’s trowel.
I made this piece for an exhibition in Stamford called ‘Living on the Edge’ that was a spin off from the New Networks for Nature symposium. The remit of the show was to make work in response to the title. It was a thought provoking show and I made Dog Chain Bittern, Tweezer Nosed Frog, a Roesel’s Bush Cricket and Bilhook Badger.
Dog Chain Bittern
Dog Chain Bittern alluded to the success of conservation efforts to help a particular species by setting up reserves.
Tweezer Nosed Frog
The Tweezer Nosed Frog was a reference to how the world has got smaller so that wildlife can be exposed to non native flora and fauna and indeed viruses, in this case the choroid virus that has spread through amphibians and is cited as the cause of extinction of at least one South American frog species.
Roesel's Bush Cricket
The Roesel’s Bush cricket is extending its range in the UK possibly through global warming and by making use of roadside verges.
A badger was an obvious choice as being a mammal in the news due to the TB crisis and an example of a species that is at the centre of a massive controversy involving Government, the farming industry, conservation organisations and the public.
I made a special effort to use plenty of digging tools in the piece as I enjoyed the fact that badgers are honed digging machines.
This limited edition hardback book is packed with images from nearly 60 of our artists. With an introduction by naturalist and broadcaster Chris Packham, a short history of the Society by past President and founder Robert Gillmor, plus text by current President Harriet Mead about the Society in its 50th year and Bruce Pearson looking to the future, this is both a beautiful and informative book. With field sketches, drawings, original prints, oils, acrylics, mixed media, bronzes, ceramics and found object sculpture there are gems on every page. Each of the contributing artists have written short anecdotes about the work that they have donated and funds from the sale of the book will help the Society to encourage and support artists inspired by the natural world through the SWLA Bursaries and other opportunities.
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At only £20 plus p&p it makes an affordable and desirable addition to any art or wildlife lovers bookshelf.
AVAILABLE FROM SWLA WEBSITE
Sole Great Auk
I was commissioned to make a life sized Great Auk for a client. I had to look on the internet for pictures of stuffed specimens and found biometrics on line as well. The specimens were very reliant on the skills of the taxidermist so I ended up basing my version of a Great Auk on an oversized Guillemot for the eye position and general feel of the bird.
Sole Great Auk
I tried to capture the essence of the bird and was really pleased with the find of a ‘tramp’ or metal sole in my scrap pile. Designed to protect the base of the foot the ‘tramp’ was attached by a strap to the boot and used when doing a lot of digging I believe. The ‘tramp’ forms the back of the bird and allowed me to use a quality pun in the title of the piece ‘Sole Great Auk’.
Sole Great Auk
I think it came out surprisingly well considering I had such variable reference and the bird itself is rather ungainly. The ridges on the beak were defined by the use of an old drawer handle and secateurs made up the bulk of the bill.
Sole Great Auk
I was asked to make a sculpture of a particular dog for a client. Patch is a fox terrier who should have flopped over ears but hers decided to ping up. It gives her a charm all of her own but meant it was actually a rather tricky sculpture to get right as the ears seemed very large. As the client had commissioned it as a surprise joint birthday present for friends it was impossible for me to meet Patch in person so I had to rely on photographs and looking at her conventionally eared daughter Pickle who belongs to my client.
The sculpture actually took a long time as I got bogged down in the detail and had to slim down the face to capture the distinctive muzzle of the breed. One ear is based around a small builder’s trowel and the other has part of a rotavater blade among other things. I managed to allude to the splodge on her body, hence the name Patch, by using cogs from egg whisks. The characteristic stance and feeling of her being ‘ready for anything’ worked well and is typical terrier. Some may say that my attention to detail went a little too far as I could not resist putting the strategically placed nut at the base of the tail.
Patch the Fox Terrier